"
Enter outsider music, made by those who appear to have slipped between
the cracks of glossy modernity, taking with them that desperately yearned-for
authenticity. They seem to confirm the existence of something like the
long-lost regional, the agrarian and, ultimately, the utopian. At least
for the listener. After all, the performers themselves are often isolated
by psychosis, senility or an unusual naïvete that rarely serves
them in workaday life."
..................................-
Joe Hagan, New York Times