" Enter outsider music, made by those who appear to have slipped between the cracks of glossy modernity, taking with them that desperately yearned-for authenticity. They seem to confirm the existence of something like the long-lost regional, the agrarian and, ultimately, the utopian. At least for the listener. After all, the performers themselves are often isolated by psychosis, senility or an unusual naïvete that rarely serves them in workaday life."

..................................- Joe Hagan, New York Times